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Knitted, Knotted, Twisted, and Twined: The Jewelry of Mary Lee Hu, by Stefano Catalani, Jeannine Falino, Janet Koplos
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Over the past 40 years, Mary Lee Hu has affirmed her distinctive voice in the world of jewelry with her elegant, voluptuous creations. Using wire the way hand weavers use threads, Hu has blazed a trail as both artist and innovator, exploring the nexus between metalsmithing and textile techniques, often through the recovery of historical precedents from an ancient past, and inspired by her innate aspiration to perfection and her stubborn curiosity. Hu's apparently effortless and graceful creations, resulting from twining, weaving, knotting, and braiding, investigate both the possibilities and limits of wire by melding fiber art and jewelry, structure and pattern, light and line.
Knitted, Knotted, Twisted, and Twined features exquisite earrings, rings, brooches, and neckpieces drawn from public and private collections internationally. The book traces the evolution and refinement of Hu's processes and skill from her earliest experimental pieces in the late 1960s--capturing the spirit of a time when craft and lifestyle were so passionately intertwined--to the confidence and movement of her contemporary creations.
- Sales Rank: #1011123 in Books
- Brand: Brand: Bellevue Arts Museum
- Published on: 2012-04-23
- Original language: English
- Number of items: 1
- Dimensions: 10.95" h x .86" w x 10.09" l, 2.71 pounds
- Binding: Hardcover
- 128 pages
- Used Book in Good Condition
About the Author
Mary Lee Hu taught metalsmithing at the University of Washington until her retirement in 2006.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Rapunzel
By Razine Wenneker
Rapunzel
Through the years some artists have had an impact on my jewelry making life. Among those most prominent is Mary Lee Hu. I discovered her amazing wire work when my husband and I were in Los Angeles. We walked into a gallery and her jewelry was exhibited there. The light reflective shimmering undulating surfaces were spellbinding. I contacted her at the University of Washington and subsequently signed up for her textile technique and wire workshop in Arizona. As far as my story goes, I was hooked.
Mary's jewelry and sculptural pieces exhibited in the retrospective show at Bellevue Arts Museum are her history. The beautifully crafted catalog/book of 100 exceptional chokers, earrings, broaches, and neck pieces chronicles her artistic growth as a student and subsequent master of her craft.
All renderings and notations are very insightful. They demonstrate an artist working on a concept and then carrying it to fruition. This is a wonderful way for the viewer to experience the creative process. One example is the bracelet on the first page of the portfolio section. Another example is the bracelet #37. Each piece is flawless. The fine silver and gold wirework, whether knitted, knotted, twisted, or twined, is an extension of self.
Mary always brought some of the beautiful twine structures, as featured in this book, to her workshop sessions. Her students were able to personally visualize their movement, design, and intricate wire and fabricated construction first hand. She also shared many of the chains and belts that she had collected during her many travels throughout the world. It is obvious that many of these samples constitute a major influence on her growth as a critically acclaimed international artist.
This book/catalog also has a section in the back that explains various techniques for "working with wire." Great starting point for those whose interest has been whetted, but don't know where to begin.
I was also fortunate to be able to study with Heikki Seppa. Heikki was a friend and colleague of Mary Lee Hu and a devoted admirer. Several of her small fine silver wire insects were nesting under the glass top of his coffee table. Since he knew I was fascinated with textile techniques, he would take them out for me to touch. Instead of firing up the torch, we would spend the afternoon studying and discussing the life-like renditions of these small creatures.
I am so proud to know Mary Lee Hu and be the recipient of this beautiful catalog/book. The photographic details are breathtaking. If one doesn't own one of her spectacular fine silver or gold pieces, the next best thing would be to purchase this catalog/book and marvel at the unbelievable "Knitted, Knotted, Twisted and Twined" creations featured in full splendor.
2 of 2 people found the following review helpful.
Inspiring design, some explanation of techniques
By Peggy Means
I bought this book because I am working on beaded bangles this year and I've been stymied by the need for more structure in my designs. This book has many excellent designs for bracelets, earrings and neckpieces, all made with precious metal wire. There are a couple of interesting essays about the artist's journey to where she is today. There is even some information about how to work in wire, although a lot of the beauty of the artist's work is due to the integration of the wire with custom forged connectors and clasps, which is not discussed. I missed this exhibit at the Bellevue Arts Museum but it was still very worthwhile to get the book.
3 of 4 people found the following review helpful.
Beautiful and conservative
By Bruce Metcalf
The first monographs on contemporary jewelers appeared in the 1980s; at first they were rare. Now they are a bit more common, recent books on Jamie Bennett and Lisa Gralnick being two fine examples. The latest entry into the collection is this book on Mary lee Hu from the Bellevue Art Museum in Bellevue, Washington. It has gorgeous photographs of her work, and the design is pleasantly restrained. The centerpiece, of course, is Hu's wire jewelry. The earliest one in the book is 1963, from when she was an undergraduate student; the latest is from 2010. Hu is a classicist. Her jewelry is beautiful and wearable, well-designed and extraordinarily well-made. For people who thrive on that kind of work, this book is for them. Buy it now; don't delay. However, younger readers may thirst for more content and a more challenging approach. Do not expect to be challenged here. Instead, try a book like "Contemporary Jewelry Art: Innovative Materials" from Cypi Press. Conservative fans of art jewelry will be thrilled by this book, rebels will not.
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